DOI: https://doi.org/10.26740/geter.v7n1

Published: 2024-02-09

Articles

A GENDER DISCRIMINATION DISCOURSE IN THE TEXT OF LAKON LUDRUK TRENGGILING SISIK EMAS BY KARTOLO

Deny Tri Aryanti, Indra Tjahyadi

1-17

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THE EXISTENTIAL DYNAMICS OF KETHOPRAK BHAKTI KUNCORO IN POST-PANDEMIC MODERNITY

Nur Fajrie Fajrie; Nabila Fatimatuz Zahro; Wasis Wijayanto

18-29

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SUPALI'S ACTING STYLE IN PERFORMANCE AS AN ESSENTIAL STUDY IN THE THEATER DEPARTMENT OF WILWATIKTA ARTS COLLEGE

LILIS LESTARI

40-62

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Semiotics of Marketing of Kinanti Sekar Art Studio Yogyakarta

Elyandra Widharta

72-81

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IMPLEMENTATION OF DIFFERENTIATED LEARNING ON CULTURAL ARTS SUBJECTS IN SENIOR HIGH SCHOOL

IMPLEMENTASI PEMBELAJARAN BERDEFERENSIASI PADA MATA PELAJARAN SENI BUDAYA DI SEKOLAH MENENGAH ATAS

Fitri Daryanti, Susi Wendhaningsih, Lora Gustia ningsih

97-106

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Opening Eyes Through Moral Education Value in Eko Supriyanto's Jailolo Trilogy Dance

Gemma Arzetta Vindsey Wijaya, Asyidah Kharisma Widiyastuti

63-71

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Adoption of New Pallapa Style Dangdut Game Pattern in the Dangdut Musician Community in Selo District, Boyolali Regency

Suranto Suranto

82-96

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AESTHETIC ELEMENTS OF TURAK DANCE IN MUSI RAWAS DISTRICT

Elemen Estetis, TariSambut Turak

Puspa Sena Puspa Sena, Rully Rochayati, Rully Rochayati, Irfan Kurniawan

30-39

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