The Creative Process of Musical Composition “Sebatas Mimpi” Through the Exploration of Melodic Variations

Main Article Content

Dimas Ilham Wibisono

Abstract





The song titled “The Composition of ‘Sebatas Mimpi’ Through the Exploration of Melodic Variations” tells the story of a person’s heartfelt emotions as they accept with an open heart the reality that the one they love does not love them in return. The purpose of this work is to serve as a new reference for other composers regarding orchestration techniques in programmatic music, particularly songs themed around disappointment and sadness; to serve as a reference for creating similar works; and to offer a musical composition that can be performed in concerts as a contribution to the development of music in the present and future. The result of this composition is a piece totaling 98 measures in the key of A. It features various sections, including choruses, verses, and others, and incorporates modulations throughout. It is performed in a chamber music format, with a double quartet augmented by piano and double bass. The compositional technique employed in this piece utilizes homophonic texture. During the creation of this piece, the researcher drew significant inspiration and ideas from Yovie Widianto.





Article Details

Section
Artikel

References

Benward, B., & Saker, M. (2009). Music in theory and practice.

Bigo, L., Feisthauer, L., Giraud, M., Lev, F., Picardie, D., & Verne, J. (n.d.). Relevance of musical features for

cadence detection.

Banoe, P. (2003). Kamus Musik. Yogyakarta: Kanisius

Campbell, P. S. (2001). Music: An introduction to theory and practice. Universitas Sebelas Maret Repository

Dover. (2021). Principles of Orchestration with musical examples. II.

Fatmawiyanti, J. (2018). Telaah kreativitas. Universitas Airlangga, October, 0–21. https://www.researchgate.net/publication/328217424_Telaah_Kreativitas

Repertoar Journal Vol. 7, No. 1, Year 2026, pp. 61–71

70

ISSN: 2746-1718

Guntur. 2016. Metode Penelitian Artistik. Yogyakarta: ISI Press

Helm, E. E. (2012). Melody, Harmony, Tonality: A Book for Connoisseurs and Amateurs (1st ed.). Rowman &

Littlefield Publishers. https://doi.org/10.5771/9780810886407

Jamalus. (1988). Pengajaran musik melalui pengalaman musik. Jakarta: Departemen Pendidikan dan Kebudayaan

Knust, M. (2025). The Creation of Music: A Historical Overview of the Composition Process. In M. Knust (Ed.), Pop Music Made in Småland: Music Production and Entrepreneurship in Sweden (pp. 13–28). Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-66363-5_2

Kodijat, L. (1986). Istilah-istilah musik. Jakarta: Djambatan.

Mahendra, M. P., Kristiandri, D., Dewi, V. E., Suwahyono, A., & Sarjoko, M. (2025). Pelatihan Penulisan Notasi Balok melalui Penciptaan Lagu Anak pada Guru TK Se-Kecamatan Tandes Surabaya. SEMAR (Jurnal Ilmu Pengetahuan, Teknologi, dan Seni bagi Masyarakat), 14(1), 237-247.

Martínez-Castilla, P., Sotillo, M., & Campos, R. (2011). Rhythmic Abilities of Adolescents and Adults with Williams Syndrome. Music Perception, 29(1), 79–91. https://doi.org/10.1525/mp.2011.29.1.79

Munandar, U. (1999). Pengembangan kreativitas anak berbakat (Cetakan 2). Jakarta: PT. Rineka Cipta.

Merriam. (1987). The anthropology of music. 8–23.

Peretz, I. (2006). The nature of music from a biological perspective. Cognition, 100(1), 1–32. https://doi.org/https://doi.org/10.1016/j.cognition.2005.11.004

Radice, M. A. (2012). Chamber Music. University of Michigan Press. https://doi.org/10.3998/mpub.3702496 Reicha, A. (n.d.). TREATISE ON MELODY. 10.

Retoridka. (2016). Eksitensi D’java String Quartet. 2015.

Sears, D., Caplin, W. E., & Mcadams, S. (2014). University of California Press. 31(5), 397–417.

Simonton, D. K. (2010). Emotion and Composition in Classical Music: Historiometric Perspectives. In P. N. Juslin (Ed.), Handbook of Music and Emotion: Theory, Research, Applications (p. 0). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199230143.003.0013

Somala, R., & Subhi, M. (2025). Musik sebagai Jalan Pencerahan Spiritual dalam Doktrin As- Samā ‘ Hazrat Inayat Khan. 5(1), 24–41.

Stolzenburg, F. (2015). Harmony Perception by Periodicity Detection ∗. 9(3), 215–238.

Syafiq, M. (2003). Ensiklopedia Musik Klasik. Adicita Karya Nusa.

Suci, D. W. (2023). Penggunaan Seni Musik dalam Mendukung Perkembangan Kognitif dan Emosional Siswa SD. 1, 49–52.

Suwahyono, A., Sarjoko, M., Kristiandri, D., Winarko, J., & Dewi, V. E. (2023). Arrangement Approach to Improve Music Creativity of Keroncong at Vocational School. Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022), 1662-1667.

Tonika, D. (n.d.). urnal Penelitian dan Pengkajian Seni. 4(1), 82–94. https://doi.org/10.37368/tonika.v4i1.125 Useche, J. E. (n.d.). Tonal consonance parameters link microscopic and macroscopic properties of music

exposing a hidden order in melody. 45, 1–11.