The Presentation and Meaning of the Song “Bertaruh Pada Api” by the Band Dongker

Main Article Content

Januarisky Jocom

Abstract

This study aims to describe the components of the presentation form and analyze the meaning of the lyrics of the song "Bertaruh Pada Api" at the Rima Ini Mekar tour. This study used a descriptive qualitative method with non-participant observation, structured interviews using Djelantik's theory and Gadamer's hermeneutics theory, and documentation. Data analysis techniques included data collection, observation and presentation, and data conclusions.


The results of this study are as follows: The presentation form of the song "Bertaruh Pada Api" at the Rima Ini Mekar tour included components that supported the performance: the musicians, the Dongker band; the musical instruments used: electric guitar, electric bass, and acoustic drums; the song "Bertaruh Pada Api"; the proscenium stage setting; the audience, consisting of indie music listeners; and the time and venue of the event, May 17, 2025, at Xperia Space AJBS, Surabaya. The results of the study show that the song 'Bertaruh Pada Api' has various meanings from its listeners, ranging from a form of self-introspection, as a medium for emotional expression that may not be expressed such as hopes for the struggles of life that are often felt by humans, as a social communication tool that conveys resistance and also criticism of state institutions that are not doing well.

Article Details

Section
Artikel

References

Banoe, P. (2003). Kamus Musik. (No Title), 466.

Barnawi, E. (2019). Hasyimkan.(2019). Alat Musik Perunggu Lampung.” Yogyakarta: Graha Ilmu.

Bennett, A. (2001). Cultures Of Popular Music. McGraw-Hill Companies,Incorporated.

https://books.google.co.id/books?id=pWvlAAAAQBAJ

Danny Firmansyah, D. F. (2024). Analisis Bentuk Penyajian Konser Musik Playgo di Prodigy Music Academy.

Repertoar Journal, 5(2), 243–256. https://doi.org/10.26740/rj.v5n2.p243-256

Dewi, V. E. (2019). Transformasi Musik Tradisional Rinding Gumbeng Perspektif Postkolonial. Virtuoso: Jurnal

Pengkajian Dan Penciptaan Musik, 2(2), 63. https://doi.org/10.26740/vt.v2n2.p63-70

Djelantik, A. A. M. (1999). Estetika: sebuah pengantar. Masyarakat Seni Pertunjukan Indonesia.

https://books.google.co.id/books?id=ZipTNwAACAAJ

Gadamer, H.-G. (1960). Truth and Method. Continuum.

Given, L. M. (2008). The Sage encyclopedia of qualitative research methods. Sage publications.

Hugh, M. M. (2017). Apresiasi Musik. Yogjakarta: Thafa MediaYogyakarta.

Irnanningrat, S. N. S. (2016). Matinya Pertunjukan Musik. Promusika, 4(2), 94–101.

Jaiz, M., & Ferdian, R. (2025). Studi Kasus Tentang Penerapan Standar Pembelajaran Drum di CV llham Project

Music School. 1(3), 259–269. https://doi.org/10.70078/kolektif.v1i3.61

Juwariyah, A., Kristiana, N., Suryandoko, W., Dewi, V. E., Ardianto, O. D., Chasanah, I. N., Panich, P., & Puspo,

E. (2025). A Comparative Study of the Performance Form of Thai Panji Dance with Indonesian Panji Dance

(Vol. 2024, Issue Ijcah 2024). Atlantis Press SARL. https://doi.org/10.2991/978-2-38476-317-7_18 Liliweri, A. (2017). Komunikasi antar personal. Prenada Media.

Moeliono, A. M. (2007). Kamus Besar Bahasa Indonesia (Edisi Keempat). Departemen Pendidikan Nasional, Balai Pustaka.

Munandar, S. C., & Utami, K. (2002). Kreativitas dan Keberbakatan: Strategi Mewujudkan Potensi Kreatif dan Bakat (2 (ed.)). Rineka Cipta.

Novandhi, Kurnia, N., & Yanuartuti, S. (2020). Bentuk Musik Dan Makna Lagu Garuda Pancasila. Ekspresi Seni, 1, 113–123. http://creativecommons.org/licenses/by/4.0

Padmodarmaya, P . (1988). T ata dan teknik pentas. Balai Pustaka. https://books.google.co.id/books?id=s9H0swEACAAJ

Pramudito, F. (2016). Alat Musik Tradisional dan Peranannya dalam Budaya Musik Daerah. Jurnal Seni Dan Budaya, 8(1), 102–110.

Prier, K.-E., & Edmund, K. (1996). Ilmu bentuk musik. Yogyakarta: Pusat Musik Liturgi.

riangestu, maria. (2020). Representasi Fenomena Sosial Dalam Lirik Lagu Membasuh Karya Hindia. 16–17. Savage, J. (2002). England’s Dreaming, Revised Edition: Anarchy, Sex Pistols, Punk Rock, and Beyond. St.

Martin’s Publishing Group. https://books.google.com.cu/books?id=hf2DBAAAQBAJ

Septiyan, D. D. (2022). Bentuk Pertunjukan dan Proses Kreativitas Penciptaan Karya Musik Jimi Multhazam dalam Single Album The Upstairs. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 5(1), 42–54.

https://doi.org/10.37368/tonika.v5i1.364

Sugiyono. (2014). Metode Penelitian Kualitatif. Alfabeta.

Sugiyono. (2017). Metode Penelitian Kualitatif. Alfabeta.

Sugiyono. (2022). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. ALFABETA.

Syafiq, M. (2003). Ensiklopedia musik klasik. Adicita.

Ullmann, S. (1962). Semantics: An introduction to the science of meaning. Basil Blackwell Oxford.