An Analysis of Guitar Performance Techniques in Sakura Theme and Variation by Yuquijiro Yocoh
Main Article Content
Abstract
This study aims to describe the classical guitar playing techniques in Yuquijiro Yocoh’s Sakura Theme and Variations and to explain their application and supporting factors, with a primary focus on these techniques in this work. This study is divided into seven sections: Introduction, Theme, Variation 1, Variation 2, Variation 3, Variation 4, and finally Coda. These sections feature several techniques, including guitar-playing techniques for the right and left hands. The right-hand techniques include appoggiando, tirando, pizzicato, tremolo, and strumming. The left-hand techniques include slur, barre, and harmonic.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
References
Aransemen, M., & Krisnerwinto, O. N. I. (2020). Repertoar, Vol.1 No. 1, Juli 2020 ISSN: …. - …. 1(1), 169–179.
Banoe, P. (2003). Kamus Musik Cetakan ke 1. Yogyakarta: PT Kanisius.
Darmansyah, H. F. J. (2021). ANALISIS TEKNIK PERMAINAN GITAR PADA œOP. 20 THE PRINCE TOYS SUITE: MOVEMENT IV. PLAYING SOLDIER KARYA NIKITA KOSHKIN. Repertoar Journal, 1(2), 320–332.
DaSilva, J. (2022). An Analysis of Allan Holdsworth’s Techniques and Their Application to Fundamental Melodic Devices.
Dewanto, P., Indrawan, A., & Rokhani, U. (2024). Kontribusi Francisco Tarrega dalam Perkembangan Teknik Tremolo Gitar Klasik Melalui Recuerdos de la Alhambra The Contribution of Francisco Tárrega to the Development of Classical Guitar Tremolo Technique Through Recuerdos de la Alhambra. 18(1), 149–158.
Dewi, V. E. (2019). Transformasi Musik Tradisional Rinding Gumbeng Perspektif Postkolonial.
Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 2(2), 63.
https://doi.org/10.26740/vt.v2n2.p63-70.
Filasya, B. A. (2016). Analisis Teknik Permainan “Grand Solo Op. 14” karya Fernando Sor pada Gitar Klasik. Pend. Seni Musik-S1, 5(1).
Handoko, A. B. (2022). Estetika Musik Gereja Dalam Perspektif Estetika Musik Dan Teologi Kristen. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 5(2), 72–83.
Ibrahim, M., & Handra Kadir, T. (2022). Analisis Teknik Permainan Gitar Klasik Karya Frederich Chopin: Nocturne In E-Flat Major Op.9 No.2. Jurnal Sendratasik, 11(1), 119. https://doi.org/10.24036/js.v11i1.116243
Kodijat. (1986). Istilah-istilah Musik. https://doi.org/OL5349516W
Kristianto, J. (2005). Gitarpedia: Buku pintar gitaris. Gramedia Pustaka Utama.
Larsen, J. V., & Knoche, H. (2017). States and sound: modelling user interactions with musical interfaces. New Interfaces for Musical Expression 2017.
Lynch, G. C. J. (2015). Brickwork: History, Technology and Practice: v. 2 (Vol. 2). Routledge.
McCrea, C. W., Summerfield, A. B., & Rosen, B. (1982). Body image: A selective review of existing measurement techniques. British Journal of Medical Psychology, 55(3), 225–233.
Nabila, A. (2020). Penerapan Teknik Economic Gitar Pada Lagu Tango En Skai Karya Roland Dyens. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 1(2), 32. https://doi.org/10.26740/vt.v1n2.p32-41
Novrizal, R. Z., Kholid, D. M., & Cipta, F. (2023). Analisis Teknik Permainan Gitar Tim Henson Pada Karya G.O.a.T. SWARA - Jurnal Antologi Pendidikan Musik, 3(3), 67–86. https://doi.org/10.17509/swara.v3i3.59385
Nugroho, P. D. (2017). Analisis Teknik Permainan Gitar Dalam Lagu On The Way Karya Jack Thammarat. Institut Seni Indonesia Yogyakarta.
Pamungkas, Y. (2016). Analisis Teknik Permainan Lagu Rossiniana Op.119 Karya Mauro Giuliani. Jurnal Pendidikan Musik, 1–10.
Pasyah, S. B. (2023). MUSIK BAS DI KECAMATAN BARAKA KABUPATEN ENREKANG (SUATU TINJAUAN ORGANOLOGI). Jurnal Ilmu Budaya, 19(2), 124–133.
Poerwadarminta, W. J. S. (1966). Kamus umum bahasa Indonesia. (No Title).
Priscilla, B. (2023). Imitasi Instrumen Kacapi Sunda Pada Aransemen Gitar Klasik Tunggal: Studi Kasus Terhadap Aransemen “Bubuy Bulan†Karya Iwan Tanzil. Urban: Jurnal Seni Urban, 7(1), 3–14. https://doi.org/10.52969/jsu.v7i1.116
PURBOLARAN, Y. (2013). Teknik Permainan Gitar Klasikpada Karya Musik “Tersisih.” APRON Jurnal Pemikiran Seni Pertunjukan, 2(2), 1–18.
Rizal, S., & Ervina Dewi, V. (2023). Strategi Pembelajaran Gitar Klasik Dalam Perlombaan Fls2N Tingkat Kota Serang Di Provinsi Banten. Jurnal Pendidikan Dan Kajian Seni, 8(1), 70.
https://doi.org/10.30870/jpks.v8i1.17230.
Schena, R. D., & Araújo, F. (n.d.). A arte do trêmulo: Análise histórica, técnica e levantamento de novas possibilidades interpretativas.
Sugiyono. (2016). Metode Penelitian Kuantitatif Kualitatif dan R&D. Alfabeta, Bandung.
Wicaksono, H. Y. (2009). Kreativitas dalam pembelajaran musik. Jurnal Cakrawala Pendidikan, 1(1).
Zigana, A., & Taryadi, R. (2023). Peran Fingering Pada Teknik Pizzicato Dan Harmonics Dalam Reinterpretasi Karya Maurice Ravel. 17(1), 350–357.