Cara Mengutip
Abstrak
This study aims to explore the Knight of Shadows movie from a psychological-philosophical perspective in relation to yin and yang. The approach used in this study is psychological-philosophical about yin and yang. The research method uses a qualitative psychological-philosophical perspective. Data sources use dialogue in the Knight of Shadow movie. Sequential steps are used (1) identification, (2) classification, (3) reduction, (4) verification, (5) description of results and discussion of presentation, and (6). conclusion. The results of the study show that and films in the form of (1) world exchanges between humans and stealth, (2) stories of creatures of the earth (humans) and supernatural beings (stealth); (3) human death and clandestine in eternal places.
Referensi
Ahmadi, A. 2010.Legenda Kera Sakti dari Cina: Kajian Psikoanalisis CG Jung. Jurnal Sastra dan Seni (JSS), 1,1:15-20.
Ahmadi, A. 2015.Tiongkok: Filsafat, Budaya, dan Sastranya. Surabaya: Revka.
Adams, J.D. 2016. The Effects of Yin, Yang and Qi in the Skin on Pain. Medicines 3, 5.doi:10.3390/medicines3010005 diunduh dari https://www.mdpi.com/2305-6320/3/1/5/htm.
Berry, C. & Robinson, L. 1981.Chinese Film Festivals. New York: Palgrave.
Cooper, J.C. 2018. Yin dan Yang: The Taoist of the Opposities. Northamptonshire:Ad' House
Song, X. (2018). Hollywood movies and China: Analysis of Hollywood globalization and relationship management in Chinas cinema market. Global Media and China, 3:3, 177194. https://doi.org/10.1177/2059436418805538
Dillon, Kaylin. 2015. Hollywood in China: The Chinese Reception of Titanic as a Case Study. Thesis. Kansas: University of Kansas.
Fang, Tony. (2012). Yin Yang: A New Perspective on Culture. Management and Organization Review. 8. 25 50
Jung, Carl G. 1953. Four Archetypes Mother, Rebirth, Spirit, Trickster. London: Roudletge.
Jung, Carl G. 1961. Memories, Dreams, Reflections. New York:Vintage Books.
Yi Lu (2016) The Malling of the Movies: Film Exhibition Reforms, Multiplexes, and Film Consumption In The New Millennium In Urban China, Journal of Chinese Cinemas, 10:3, 205-227, DOI: 10.1080/17508061.2016.1163883
Emilie Yueh-Yu Yeh (2012) Wenyi and the branding of early Chinese film, Journal of Chinese Cinemas, 6:1,65-94, DOI: 10.1386/jcc.6.1.65_1
Gaik Cheng Khoo (2014) Imagining hybrid cosmopolitan Malaysia through Chinese kung fu comedies: Nasi Lemak 2.0 (2011) and Petaling Street Warriors , Journal of Chinese Cinemas, 8:1, 57-72, DOI: 10.1080/17508061.2013.875730
Farquhar, M. (2008) Jackie Chan: a new dragon for a new generation, Journal of Chinese Cinemas, 2:2,137-146, DOI: 10.1386/jcc.2.2.137_1
McCoy, L.K. (2017) Longitudinal qualitative research and interpretative phenomenological analysis: philosophical connections and practical considerations, Qualitative Research in Psychology, 14:4, 442-458,DOI: 10.1080/14780887.2017.1340530
Rokhani, U. , Salam, A. Rochani, R. 2016. Rekonstruksi Identitas Ke-œTionghoa-An dalam Film Indie Pasca-Suharto, Jurnal Rekam, 12:1, 55-68.
Susanto, E. 2017.Penggambaran Budaya Etnis Tionghoa dalam Film œNgenest.Jurnal E-Komunikasi, 5:1, 1-12.