Dogdog Lojor in The Seren Taun of Kasepuhan Sinar Resmi: Symbolic and Functional Analysis in the Context of Local Culture
Article Sidebar
Main Article Content
Abstract
This study explores the symbolism and socio-cultural functions of Dogdog Lojor, a traditional Sundanese musical instrument that plays a vital role in the Seren Taun ceremony at Kasepuhan Sirna Resmi. The primary objective of this research is to analyze the symbolic meanings, as well as the social, spiritual, and ecological functions of Dogdog Lojor within the cultural framework of the Sundanese indigenous community, while also examining the challenges of its preservation amid modernization and cultural commodification. This research employs a descriptive qualitative approach, utilizing literature review, documentation, and thematic analysis of cultural texts and customary documents. The findings reveal that Dogdog Lojor serves not only as a ritual musical instrument but also as a cosmological symbol representing harmony between humans, nature, and ancestors. Its social function is evident in its role as a unifying force within the community and as a medium for informal cultural education. Furthermore, the use of natural materials and its eco-cultural production practices highlight the instrument’s contribution to environmental preservation. However, the study also identifies a shift in meaning caused by globalization pressures and a weakening of cultural regeneration among younger generations. Therefore, preserving Dogdog Lojor requires participatory, community-based strategies that respect its spiritual and symbolic context. This research is expected to contribute to the development of symbolic anthropology, ethnomusicology, and cultural ecology theories, as well as serve as a foundation for sustainable cultural preservation policies.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The copyright of the received article once accepted for publication shall be assigned to the journal as the publisher of the journal. The intended copyright includes the right to publish the article in various forms (including reprints). The journal maintains the publishing rights to the published articles.
References
Amelia, S., & Ribawati, A. (2025). Seren Taun: Ritual Traditions of Agrarian Societies in West Java. Journal of Local Wisdom Studies, 11(2), 145–159.
Anjany, R., Ramdhani, S., & Aryadi, M. (2021). Dogdog Lojor in the Cultural Practices of Kasepuhan Banten Kidul Community. Wacana Budaya Journal, 5(1), 75–92.
Alhazmi, A. H. (2023). Analisis tata kelola seni pertunjukan di taman budaya Yogyakarta. Jurnal Tata Kelola Seni, 9(1), 26-46. https://doi.org/10.24821/jtks.v9i1.8380
Bowen, G. A. (2009). Document analysis as a qualitative research method. Qualitative Research Journal, 9(2), 27–40. https://doi.org/10.3316/QRJ0902027
Braun, V., & Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77–101. https://doi.org/10.1191/1478088706qp063oa
Fadlilah, S. (2021). Dogdog Lojor as a Cultural Identity of the Sunda Indigenous Community. Journal of Cultural Preservation, 7(2), 88–101.
Firmansyah, D. (2018). The Spiritual Function of Traditional Music in Agrarian Rituals. Indonesian Journal of Cultural Anthropology, 10(1), 55–70.
Geertz, C. (1973). The interpretation of cultures: Selected essays. Basic Books.
Gunawan, A., Prasetya, R., & Lestari, M. (2016). Technology and Preservation in Wayang Golek Performances. Virtuoso: Jurnal Pengkajian dan Penciptaan Musik, 2(1), 33–47.
Habibuloh, A. (2018). The Transmission of Traditional Music in Kasepuhan: Oral Practice and Cultural Continuity. Ethnomusicology Review, 14, 101–116.
Hidayat, Y. (2022). Local Ecological Knowledge in Traditional Sundanese Music Instruments. Journal of Environmental and Cultural Studies, 6(3), 190–204.
Hidayatullah, R. (2024). Digitizing Culture: Opportunities and Risks for Indigenous Art in the Digital Age. Virtuoso: Jurnal Pengkajian dan Penciptaan Musik, 7(2), 199–212. https://doi.org/10.26740/vt.v7n2.p199-212
Komarudin, A., Sasmita, N., & Maulana, I. (2021). Dogdog Lojor: Cosmology and Material Culture in the Kasepuhan Community. Sundanese Cultural Studies Journal, 4(1), 50–68.
Krippendorff, K. (2018). Content analysis: An introduction to its methodology (4th ed.). SAGE Publications.
Malik, A. (2017). The Ritual Soundscape: Function and Meaning of Dogdog in Sundanese Cosmology. Bandung: Adicita.
Munawiroh, L. (2017). The Role of Dogdog Lojor in Intergenerational Cultural Transmission. Humaniora Journal, 19(3), 215–228.
Nilamsari, N. (2014). Memahami studi dokumen dalam penelitian kualitatif. WACANA: Jurnal Ilmiah Ilmu Komunikasi, 13(2), 177-181.
Sihabudin, E., & Yusanto, A. (2018). Ecological Ethics in the Traditional Wisdom of Kasepuhan Sirna Resmi. Local Knowledge: Journal of Indigenous Studies, 2(2), 100–113.
Smith, L. (2006). Uses of heritage. Routledge.
Sumaludin, M. (2022). Ritual and Performance: Reconstructing Dogdog Lojor in the Festival Era. Journal of Modern Heritage Studies, 3(1), 41–58.
Sugita, I. W., & Pastika, I. G. T. (2021). Inovasi Seni Pertunjukan Drama Gong Pada Era Digital. Mudra Jurnal Seni Budaya, 36(3), 342-349. https://doi.org/10.31091/mudra.v36i3.1492
Sugiyono. (2019). Qualitative and Quantitative Research Methods. Bandung: Alfabeta.
Throsby, D. (2010). The economics of cultural policy. Cambridge university press.
Turner, V. (1969). The Ritual Process: Structure and Anti-Structure. Aldine Publishing.