Analisis dan Ekspresi Gerak: Mencari Hubungan Pada “Sonata Romantica Bagain I. Allegro Moderato” Manuel Ponce
Main Article Content
Abstract
This research departs from the difficulty of players in connecting how musical works can inform movements to players, he said on classical guitarist instruments. So it requires a strategy to answer the challenges in the music performance area. So this study requires several processes to connect this, one of which is the positive analysis that will be discussed in this research. The discussion material is limited to romantic to modern music as a golden era of classical guitar, one of which is the work of Manuel Maria Ponce's "Sonata Romantica I. Allegro Moderato". The content of this study is in the form of a study of elements of music elements including; harmonic studies, forms, rhythms and motifs, as well as looking at the results of other players in interpreting the work. While the results of this study show that there are many fluctuations in the two regions of the graph representing dynamic and tempo, it is from these fluctuations that musicians get the potential to use gesture expressions.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The copyright of the received article once accepted for publication shall be assigned to the journal as the publisher of the journal. The intended copyright includes the right to publish the article in various forms (including reprints). The journal maintains the publishing rights to the published articles.
References
Bernal Carrasquilla, E. (2009). Guía De Análisis Para Una Interpretación Musical, “Fantasía Para Guitarra Opus 19” En La Mayor De Luigi Legnani.
Doğantan-Dack, M. (2011). In the beginning was gesture: Piano touch and the phenomenology of the performing body. New Perspectives on Music and Gesture, 243–265.
Kim, H., Sefcik, J. S., & Bradway, C. (2017). Characteristics of Qualitative Descriptive Studies: A Systematic Review. Research in Nursing and Health, 40(1), 23–42. https://doi.org/10.1002/nur.21768
Neely, A. (2016). How and Why Classical Musicians Feel Rhythm Differently. Https://Www.Youtube.Com/Watch?V=Rebundw9bda
Ponce, M. M., & Knepp, R. R. (2011). Tracing The Segovia Style: Collaboration And Composition In The Guitar Sonatinas Of.
Prakosa, M. B. (2021). The Interpretasi Dinamika Dan Warna Suara Pada Suite Populaire Bresilienne No. 1 Karya Villa Lobos. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 4(2), 96–103.
Rink, J. (2017). The (f) utility of performance analysis. Artistic Practice as Research in Music: Theory, Criticism, Practice, 127–148.
Scinta, P. S. (2014). A realization and analysis: the manifestation of Franz Schubert within Manuel Maria Ponce’s Sonata romantica.
skema grafik dinamik. (n.d.). https://docs.google.com/spreadsheets/d/1fWcD5SCUomKiwTCDJlWH5A9O0zEEdJov/edit?usp=sharing&ouid=103478050126187061647&rtpof=true&sd=true
skema grafik tempo. (n.d.). https://docs.google.com/spreadsheets/d/1JKnog-sMLpIKxTi53fwN6whAeDPoNzMN/edit?usp=sharing&ouid=103478050126187061647&rtpof=true&sd=true
Steidl, P. (2018). Pavel Steidl Masterclass - Samrat Majumder plays Ponce Sonata Romantica. https://www.youtube.com/watch?v=MTzq_qdYItg&t=548s
Supriyadi, S. (2019). Nilai Estetis Musik Dalam Rentang Sejarah Musik Barat. Tonika: Jurnal Penelitian Dan Pengkajian Seni, 2(1), 1–18. https://doi.org/10.37368/tonika.v2i1.39
Vines, B. W., Krumhansl, C. L., Wanderley, M. M., & Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance. Cognition, 101(1), 80–113. https://doi.org/10.1016/j.cognition.2005.09.003
Windsor, W. L. (2011). Gestures in music-making: Action, information and perception. New Perspectives on Music and Gesture, 45–66.