Interpretasi dan Bentuk Penyajian Lagu Habanera Dalam Opera Carmen Karya George Bizet Oleh Heny Janawati

Main Article Content

Salma Falista Salsabilla

Abstract

Abstract

Habanera, one of the most famous songs in Opera Carmen, tells the love life of Carmen as the main role. Interestingly, the song Habanera was sung by an Indonesian mezzo-soprano singer from Bali, Heny Janawati, who has perform the Opera Carmen while singing in Europe and Indonesia with different interpretations and performance of song Habanera. The purpose of this study was to analyze the interpretation and performance form of the Habanera Opera Carmen song when it was performed in Jakarta in 2016 in order to become a knowledge. This research process used qualitative methods. The data in this study were obtained through observation, interviews, and documentations. Data analysis techniques used data reduction, data presentation, and data inference. As for the data validity test used triangulation. The results of this study indicate that Heny Janawati has characteristics to interpret this song through out the structure, tempo, dynamics, and intonation of this song. That she present in Opera Carmen are more modern from it's europe counterpart, which in Europe its characteristics, number of accompaniments, dimensions of the setting, lighting and wardrobe are more traditional.

 

Downloads

Download data is not yet available.

Article Details

How to Cite
Salsabilla, S. F. (2020). Interpretasi dan Bentuk Penyajian Lagu Habanera Dalam Opera Carmen Karya George Bizet Oleh Heny Janawati. Virtuoso: Jurnal Pengkajian Dan Penciptaan Musik, 3(2), 97–109. https://doi.org/10.26740/vt.v3n2.p97-109
Section
Articles

References

Banoe, P. (2003). Kamus Musik. Kanisius.

Bizet George. (2018). Carmen. Alma Books.

Dankworth, A. (1978). œMusic dalam The Education of The Young Child (D. Fontana (ed.)). Open Books.

Dharmawanputra, B., Murbiyantoro, H., & Karyawanto, H. Y. (2020, December). Vocal Class in Method Lecture During the Covid-19 Pandemic. In International Joint Conference on Arts and Humanities (IJCAH 2020) (pp. 805-809). Atlantis Press.

Hardjana, Suka. Corat Coret Musik Kontemporer Dulu dan Kini. Jakarta: Kerajasama Fond

Kertesz, E., & Christoforidis, M. (2008). Confronting" Carmen" beyond the Pyrenees: Bizet's Opera in Madrid, 1887-1888. Cambridge Opera Journal, 79-110.

Nurcahyo, P. N. (2018). Interpretasi Komposisi" Sukma" untuk Piano Solo Karya Budhi Ngurah (Doctoral dissertation, Institut Seni Indonesia Yogyakarta).

Poerwardaminto. (1989). Kamus Besar Bahasa Indonesia (p. 862). Balai Pustaka.

Prier. (2011). Kamus Musik. Pusat Musik Liturgi.

Prier. (2017). Ilmu Bentuk Musik. Pusat Musik Liturgi.

Schoepp, K. (2001). The Internet Journal, 7 (2), 1-4.
Reasons For Using Songs In The ESL/EFL Classroom.

Sinaga, T. Dasar-Dasar Teknik Bernyanyi Opera. Gondang: Jurnal Seni dan Budaya, 2(2), 79-89.

Sugiyono. (2017). Metode Penelitian Kuantitatif Kualitatif R&D. Alfabeta.

Sumardjo, Jakob. 2000. Filsafat Seni. Bandung: ITB