Emergent Trends in Nigeria’s Popular Entertainment: Cross-Dressing and Blurred Identity in Social Media Skits
DOI:
https://doi.org/10.26740/jsm.v7n2.p389-405Keywords:
cross-dressing, identity, skits, gender swap, technological determinismAbstract
This paper explores the relationship between mass media and its audience, specifically in Nigeria where this field is under-studied. Since its debut in 1959 as a medium of domestic entertainment, television in Nigeria has been a wonderland for new vistas and foreign and strange concepts that became trendsetters for viewers’ astonishment and enthusiastic lifestyle emulation. This study uses qualitative methods, including Key Informant Interviews and secondary analysis, to explore cross-dressing as a cultural phenomenon. The theoretical framework is based on the gratification and technological determinism theories. The study examines how technological advancements have enabled the normalization of "sophisticated, imported" options in entertainment culture. The paper explores gender fluidity and identity blurring in the artist's perception. The findings showed that the incursion of technology, especially television and its more sophisticated variant, social media, are the purveyors of democratized ideas of individual identity and blurred sexuality profiling that disrupted existentialist binary notions. The study results also showed that cross-dressing, as employed in skit-making, has earned respect on the employment index of the creative sector and art community. Tech shapes youth culture, paving the way for new norms in human relationships and personal expression
References
Adelakun A. (2019) “Otunba Runsewe’s obsession with Bobrisky” Punch News Paper 10th October 2019. https://punchng.com/otunba-runsewes-obsession-with-bobrisky/
Ayomide J., Fajoye, B O. Sanusi, Ismail O. (2023) Media Portrayal Of Cross Dressers In Nigeria: Positive Or Negative Influence On The Society? Journal Of Vacations Vol 5, No 1 (2023) Https://Www.Gojehms.Com/Index.Php/Mjver/Article/View/1679-20, 2009-2010 https://www.ajol.info/index.php/ibjhs/article/view/79326
BBC News (2010) “Cross-dressing men flogged in Sudan for being “womanly” 4 August 2010
BBC News (2010) “Sudan male models fined for makeup “indecency”, (8 December 2010)
Blumler J.G. & Katz, E. (1974). The uses of mass communications: Current perspectives on gratifications research. Beverly Hills, CA: Sage
Christel D. A., O’Donnell N. H. & Bradley L. A. (2016) “Coping by crossdressing: an exploration of exercise clothing for obese heterosexual women” https://fashionandtextiles.springeropen.com/articles/10.1186/s40691-016-0063-z
Curtis, M and Morris, K. (2015) Cross-dressing as a meaningful occupation: a single case study. British Journal of Occupational Therapy, 78 (11).pp.706-712. https://insight.cumbria.ac.uk/id/eprint/2032/1/Morris_CrossDressingAsAMeaningful.pdf
Ebirim J. (2019) “Bobrisky Blasts DG Arts And Culture, Otunba Segun
Runsewe” Vanguard, 29th August 2019. https://www.vanguardngr.com/2019/08/bobrisky-blasts-dg-arts-and-culture-otunba-segun-runsewe/
Enwerem, O. P, Edem, Kuboro D, Onuora, I. O.(2023) Perception of owerri residents towards the adoption of crossdressing by male comedians/male content creators IMSU Journal of Communication Studies, Vol 7, Isuue 1, 2023, ISSN: 2682-6321 https://www.imsujcs.com/Journals/2023/11.pdf
Frazer, A.(2022). The Empowering History of Cross-Dressing. https://themiawave.org/staff_name/collection-martin-dammann-all-images-cortesy-of-hatje-cantz/
Garudio R. P. (2009) “Allah Made Us: Sexual Outlaws in an Islamic African City” West Sussex, Willey – Blackwell.
Gala, P. (2001) Cross-Dressing: Is it a Lifestyle of gaining fame and money? https://www.standardmedia.co.ke/entertainment/lifestyle/article/2001451959/cross-dressing-is-it-a-lifestyle-of-gaining-fame-money
Hao S. & Zi W. (2019) “Research on Images of Cross-Dresser from the Perspective of Androgyny” Chinese Studies > Vol.8 No.3, August 2019 https://www.scirp.org/journal/paperinformation.aspx?paperid=94573
Hossain M. A. (2019). Effects of uses and gratifications on social media use: The Facebook case with multiple mediator analysis. PSU Research Review. I SSN: 2399-1747. Open Access. Article publication date: 12 February.
Iwilade A.(2010) Gender and Identity in the Nigerian Media. Ibadan Journal of Humanistic Studies Vol. 20 (2010): vol 19-20, 2009-2010 https://www.ajol.info/index.php/ibjhs/article/view/79326
Iwalaiye Temi (2022, May 12), The Long History of Cross-Dressing in Nigeria. The Curious Case of Area Scatter https://steemit.com/life/@chuxlouis/the-curious-case-of-area-scatter-was-area-scatter-nigeria-s-first-ever-known-transversite-and-celebrity-cross-dresser
Janusauskas M. (2023) Putting on a dress means nothing’: Cross-dressing in men’s fashion Fashion, Style & Popular Culture, Volume 10, Issue 10th Anniversary Special Issue: ‘Queer Style and Porn Chic’, Mar 2023, p. 105 – 120 https://intellectdiscover.com/content/journals/10.1386/fspc_00149_1
Louis C.(2017). Is Accused by 5 Women of Sexual Misconduct https://www.nytimes.com/2017/11/09/arts/television/louis-ck-sexual-misconduct.html
McLuhan, M. (1964). Understanding Media: The Extensions of Man, New York: McGraw Hill.
McQuail, D. (2010) Mass communication theory. (5th ed.) New Delhi: Vistaar Publications
Nwigwe, C. (2019). Breaking the Code: Female Cross-Dressing in South Eastern Nigeria Fashion Theory, 26 (1), 67-89. https:doi.org/10./1080/1362704x.2019-1697025.
Ogunlowo, T. 2017. Is Cross-Dressing the New Fashion Craze in Nigeria? Opinions. Ng. Retrieved March 7, 2022.
Ojom O. and Sodeinde O. C. “Social Media Skits: Reshaping the Entertainment Experience of Broadcast Audience” Sage Open Vol. II Issue 3, 2021.
Oluka, C. (2021). The business of cross-dressing. https://emonionline.cone/2021/10/08the-business-of-cross-dressing-by-chukwuemeka-oluka/
Rauschnabel, P.A. (2018). Virtually enhancing the real world with holograms: An exploration of expected gratifications of using augmented reality smart glasses. Psychol. Mark. 2018, 35, 557–572. [Google Scholar] [CrossRef]
Thomas, L. (2017) Cross-dressing in Popular Entertainment, https://www.sheffielld.ac.uk/library/news/cross-dressing-popular-entertainment
Udosen Kenzy in a Zoom interview with the authors on Sunday, August 12, 2022, at 4 pm
Uduma, Stephen (2022) “Cross-Dressing in Igboland”. Unpublished paper presented at the Research/Documentation In-House Seminar Series of the National Council for Arts and Culture, Abuja. December 2022.
Ugobude, Franklyn. Orompoto, The First Female Alaafin of Oyo, 15 December 2019.. https://guardian.ng/life/orompoto-the-first-female-alaafin-of-oyo-Retrieved 11th May 2023
Usoro, E. (2020). Skit Making Booms in Nigeria Amid Rising Hardship. Retrieved December, 23 https://businessday.ng/art-and-life/article/skit-making-booms-in-Nigeria amit-hardship/
Vinney C. (2022) “Uses and Gratifications Theory in Media Psychology?” https://www.verywellmind.com/what-is-uses-and-gratifications-theory-in-media psychology5217572#:~:text=Uses%20and%20gratifications%20theory%20(UGT,a%20result%20of%20those%20selections.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 The Journal of Society and Media
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).