YOSIKA PROFESIONALISM AS PUJANGGANONG FIGURE IN REYOG OBYOK PERFORMANCE IN PONOROGO REGENCY

Authors

  • Alfian Arif Ramadhan Universitas Negeri Surabaya
  • Eko Wahyuni Rahayu Wahyuni Rahayu Universitas Negeri Surabaya

DOI:

https://doi.org/10.26740/sembadra.v3n1.p20-32

Abstract

Yosika is the name of a young man in Ponorogo who is involved in the art of Reyog Ponorogo, whose main role is as a Pujangganong dancer. His proficiency in playing the character Pujangganong led him to become a professional dancer and well-known artist. This article aims to reveal Yosika's professionalism in her role as a Pujangganong dancer. This research uses descriptive qualitative methods with data collection techniques through observation, interviews, and documentation study. The results showed that Yosika's profession as a Pujangganong dancer in the Reyog Ponorogo show had been built since she was a child. With the support of the whole family and armed with perseverance, Yosika was finally able to reach the pinnacle of her career as a professional dancer in the Reyog Ponorogo show, especially for the character Pujangganong. Profesionalisme Yosika professionalism can be seen through his performance in taking a role as Pujangganong in Reyog Ponorogo, particularly in Reyog Obyok. Through the style of Pujangganong appearance performed by Yosika, Reyog Ponorogo art is adapt to the present demand and make a lot of people, especially young generation admire this art performance. Through Yosika professionalism as Pujangganong character, Reyog Ponorogo has a hope to be continually exist in the future time, which definitely help to preserve the extinction of Reyog Ponorogo performing arts.

Keywords: professionalism, Yosika, Pujangganong, Reyog Obyok

Author Biographies

Alfian Arif Ramadhan, Universitas Negeri Surabaya

Program Studi Pendidikan Sendratasik, Fakultas Bahasa dan Seni, Universitas Negeri Surabaya, Indonesia

Eko Wahyuni Rahayu Wahyuni Rahayu, Universitas Negeri Surabaya

Program Studi Pendidikan Sendratasik, Fakultas Bahasa dan Seni, Universitas Negeri Surabaya, Indonesia

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Published

2021-04-30

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Section

Editorial
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