The Role of Social Capital and Knowledge Capital for Freelance Creative Workers in Audiovisual Industry
-
DOI:
https://doi.org/10.26740/jsm.v7n1.p19-48Keywords:
freelance creative workers, commercial audiovisual industry, social capital, knowledge capital, the survival strategyAbstract
This study explains how capitals shape the survival strategy of freelance creative workers who work in a precarious situations in the commercial audiovisual industry. This study was conducted with a qualitative approach. Through in-depth interviews with freelance creative workers, online observations, and digital data collection, this study shows that the survival strategy of the workers can be explained further based on capital analysis focused on social capital and knowledge capital as the recognized and valued capital in the field. Both the social and knowledge capital of the workers, accompanied by workers' capacity to accumulate and convert them continuously, are relevant in shaping workers' survival strategy, which leads to the establishment of a positive reputation and capacity enhancement. This eventually leads them to gain employability and occupy strategic positioning, reflected in high bargaining power and work opportunities in the industry sustainably, as it becomes their alternative job security to survive amidst precarious conditions
References
Abraham, Jessie. 2017. “Honourable Mobility or Shameless Entitlement? Habitus and Graduate Employment.” British Journal of Sociology of Education 38(5):625–640. DOI:10.1080/01425692.2 015.1131145.
Alacovska, Ana. 2018. “Informal Creative Labour Practices: A Relational Work Perspective.” Human Relations 71(12):1563-1589. DOI: 10.1177/0018726718754991.
Alacovska, Ana. 2019. “‘Keep hoping, keep going’: Towards a Hopeful Sociology of Creative Work.” Sociological Review 67(5): 1118–1136. DOI: 10.1177/0038026118779014
Allen, K., J. Quinn, S., Hollingworth, and A. Rose. 2013. “Becoming Employable Students and ‘Ideal’ Creative Workers: Exclusion and Inequality in Higher Education Work Placements.” British Journal of Sociology of Education 34(3):431-452, DOI: 10.1080/01425692.2012.714249.
Arthur, Michael B, and Robert J. Defilippi. 1994. “The Boundaryless Career: A Competency-Based Perspective" Journal of Organizational Behavior 15(4):307-324. Retrieved 03 October 2022 (http://www.jstor.org/stable/2488429).
Becker, Gary S. 1962. "Investment in Human Capital: A Theoretical Analysis." Journal of Political Economy 70(5):9–49. Retrieved 16 February, 2022 (http://www.jstor.org/stable/1829103).
Blair, Helen. 2001. "`You're Only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry." Work, Employment, and Society 15(1):149-169. DOI: 10.1177/09500170122118814.
Blair, Helen. 2003. “Winning and Losing in Flexible Labour Markets: The Formation and Operation of Networks of Interdependence in the UK Film Industry” Sociology 37(4):677-694. DOI: 10.1177/00380385030374003
Bourdieu, Pierre. 1986. “The Forms of Capital.” Pp. 241-258 in Handbook of Theory and Research for the Sociology of Education. Westport, Connecticut: Greenwood.
Bridgstock, Ruth. 2005. "Australian Artists, Starving and Well-Nourished: What Can We Learn from the Prototypical Protean Career?” Australian Journal of Career Development 14(3): 40–47. DOI: 10.1177/103841620501400307.
Brook, O., Dave O'Brien, and Mark Taylor. 2018. "There Was No Golden Age: Social Mobility into Cultural and Creative Occupations." SocArXiv. DOI: 10.31235/osf.io/7njy3.
Campbell, Miranda. 2020. “‘Shit is Hard, Yo’: Young People Making a Living In The Creative Industries.” International Journal of Cultural Policy 26(4):524-543. DOI: 10.1080/10286632.2018.1547380.
Comunian, Roberta & Lauren England. 2020. “Creative and Cultural Work Without Filters: COVID-19 and Exposed Precarity in The Creative Economy.” Cultural Trends 29(2):112-128. DOI: 10.1080/09548963.2020.1770577.
Coordinating Ministry for Economic Affairs of The Republic Indonesia. 2021. Siaran PERS Industri Kreatif dan Digital: Kembangkan Potensi, Gerakkan Ekonomi, dan Ciptakan Lapangan Kerja No. HM.4.6/37/SET.M.EKON.3/03/2021. Retrieved January 17, 2022 (https://www.ekon.go.id/publikasi/detail/2449/industri-kreatif-dan-digital-kembangkan-potensi-gerakkan-ekonomi-dan-ciptakan-lapangan-kerja)
Creative Economy Agency of The Republic of Indonesia. 2019. Laporan Kinerja Badan Ekonomi Kreatif Tahun 2019. Jakarta: Badan Ekonomi Kreatif
Delva, Jasper, Anneleen Forrier, and Nele De Cuyper, N. 2021. “Integrating Agency and Structure in Employability: Bourdieu’s Theory of Practice.” Journal of Vocational Behavior 127: 103579. DOI: 10.1016/j.jvb.2021.103579
Dolgui, Alexandre, and Jean-Marie Proth. 2013. “Outsourcing: Definitions and Analysis.” International Journal of Production Research 51(23-24):6769–6777. DOI: 10.1080/00207543.2013.855338
Dowd, Timothy J., and Diogo L. Pinheiro. 2013. “The Ties Among the Notes: The Social Capital of Jazz Musicians in Three Metro Areas.” Work and Occupations 40(4):431–464. DOI: 10.1177/0730888413504099
Eikhof, D. Ruth. 2017. “Analysing Decisions on Diversity and Opportunity in The Cultural and Creative Industries: A New Framework.” Organization 24(3):289–307. DOI: 10.1177/1350508416687768
Eikhof, D. Ruth, and Christ Warhust. 2013. “The Promised Land? Why Social Inequalities are Systemic to The Creative Industries.” Employee Relations 35(5):495-508. DOI: 10.1108/ER-08-2012-0061.
Granovetter, Mark. 1983. “The Strength of Weak Ties: A Network Theory Revisited.” Sociological Theory 1:201-233. DOI: 10.2307/202051.
Hennekam, Sophie and Dawn Bennett. 2016. “Self-Management of Work in the Creative Industries in The Netherlands.” International Journal of Arts Management 19(1):31-41.
Hermes, J., Karel K., Nicolette B., and Pauline Borghuis. 2017. “This is My Life: The Stories of Independent Workers in the Creative Industries in the Netherlands.” Javnost - The Public 24(1):87-101. DOI: 13183222.2017.1280892.
Hesmondhalgh, David and Sarah Baker. 2011. Creative Labour: Media Work in Three Cultural Industries. DOI: 10.4324/9780203855881.
Hewison, Kevin. and Arne L. Kalleberg. 2013. “Precarious Work and Flexibilization in South and Southeast Asia”. American Behavioral Scientist 57(4):395-402. DOI: 10.1177/0002764212466235.
Izzati, Larasati, Ben K. C. Laksana, Rio Apinino, and Kathleen Azali. 2021. Pekerja Industri Kreatif di Indonesia: Flexploitation, Kerentanan, dan Sulitnya Berserikat. Jakarta: SINDIKASI x FNV Mondiaal. Retrieved 24 September, 2022 (https://www.sindikasi.org/wp-content/uploads/Riset-Pekerja-Industri-Kreatif-Indonesia-Di-Bawah-Flexploitation.....pdf).
Lingo, Elizabeth L., and Steven J. Tepper. 2013. “Looking Back, Looking Forward: Arts-Based Careers and Creative Work.” Work and Occupations 40(4):337-363. DOI: 10.1177/0730888413505229.
Mark, Banks. 2010. “Craft labor and Creative Industries.” International Journal of Cultural Policy 16(3): 305-321. DOI: 10.1080/10286630903055885.
Mediarta, Agus, and Ricardi S. Adnan. 2020. “Precariousness pada Creative Labour di Industri Film Indonesia.” Ultimart: Jurnal Komunikasi Visual 13(2):25-34. DOI: 10.31937/ultimart.v13i2.1843.
Memon, Salman B. 2019. "Does Social Capital Matter in Career Development?" Journal of Management Info 6(2); 12-18. DOI: 10.31580/jmi.v6i2.847
Menger, Pierre-Michel. 2006. “Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management.” Handbook of the Economics of Art and Culture 1:765-811.
Mrozowicki, Adam and Veronica Trappman. 2021. “Precarity as a Biographical Problem? Young Workers Living with Precarity in Germany and Poland.” Work, Employment and Society 35(2):221-238. DOI: 10.1177/0950017020936898.
Nahapiet, Janine and Sumantra Ghoshal. 1998. “Social Capital, Intellectual Capital, and the Organizational Advantage.” The Academy of Management Review 23(2):242–266. DOI: 10.2307/259373.
Nonaka, Ikujiro. 1991. The Knowledge-Creating Company. Harvard Business Review Classic Series: Harvard University.
Norbäck, Maria and Alexander Sthyre. 2019. “Making It Work in Free Agent Work: The Coping Practices of Swedish Freelance Journalists.” Scandinavian Journal of Management 35(4). DOI: 10.1016/j.scaman.2019.101076.
O’Connor, H., & Bodicoat, M. 2016. “Exploitation or Opportunity? Student Perceptions of Internships in Enhancing Employability Skills.” British Journal of Sociology of Education 38(4):435–449. DOI 10.1080/01425692.2015.1113855.
Putnam, Robert D. 1993. “The Prosperous Community: Social Capital and Public Life.” The American Prospect 13:35-42.
Randle, K., Chyntia Forson, and Moira Calveley. 2015. “Towards a Bourdieusian Analysis of the Social Composition of the UK Film and Television Workforce.” Work, Employment and Society 29(4):590–606. DOI: 10.1177/0950017014542498.
Ritzer, George. 2011. Sociological Theory. 8th Ed. New York: McGraw-Hill.
Samdanis, Mario and Lee. 2017. “Access Inequalities in the Artistic Labour Market in the UK: A Critical Discourse Analysis of Precariousness, Entrepreneurialism, and Voluntarism." European Management Review 16(4):887–907. DOI: 10.1111/emre.12154.
Shade, L. R., and Jacobson. 2015. "Hungry for The Job: Gender, Unpaid Internships, and The Creative Industries.” The Sociological Review 63:188-205. DOI: 10.1111/1467-954X.12249.
Simon, G. I. 2022. “Producing Nollywood Portal Films: Navigating Precarity through Informal Social Relations and Hope.” International Journal of Cultural Studies 25(5):500–517. DOI: 10.1177/13678779221094859
Standing, Guy. 2011. The Precariat: The New Dangerous Class. London: Bloomsbury Publishing.
Stokes, Allyson. 2021. “Masters of None? How Cultural Workers Use Reframing to Achieve Legitimacy in Portfolio Careers.” Work, Employment and Society 35(2):350–368. DOI: 10.1177/0950017020977324.
The Ministry of Tourism and Creative Economy of The Republic of Indonesia (2020). Statistik Ekonomi Kreatif Tahun 2020. Jakarta: Kementerian Pariwisata dan Ekonomi Kreatif Republik Indonesia. Retrieved 30 January, 2022
Throsby, David. And Anita Zednik. 2011. “Multiple Job-Holding and Artistic Careers: Some Empirical Evidence.” Cultural Trends 20(1):9-24. DOI: 10.1080/095489 63.2011.540809.
Umney, Charles and Lefteris Kretsos. 2015. “That’s the Experience”: Passion, Work Precarity, and Life Transitions Among London Jazz Musicians.” Work and Occupations 42(3):313-334. DOI: 10.1177/0730888415573634.
Wong, Yvette L. Yee. and Yiu Fai Chow. 2020. “No Longer Aspirational: A Case Study of Young Creative Workers in Hong Kong Who Quit.” Global Media and China 5(4):438–451. DOI: 10.1177/2059436420964973.
Wright, Ewan and Benjamin Mulvey. 2021. “Internships and The Graduate Labour Market: How Upper-Middle-Class Students ‘Get Ahead’.” British Journal of Sociology of Education 42(3):339-356. DOI: 10.1080/01425692.2021.1886051.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 The Journal of Society and Media

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).

